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Spindrift

  • HOME
  • ABOUT
    • / SPINDRIFT
    • / RESUME
    • / ANNA
    • / HENRY
    • / JULIA
    • / SÓLVEIG
    • / TINNA
    • / MARJO
    • / OUTI
  • PRODUCTIONS
    • / HEROES
    • / THE SELKIE AND HER DAUGHTER ON LAND
    • / ÁSTIN EIN TAUGAHRÚGA
    • / HISTORIAN JÄNNÄT NAISET
    • / WE'LL DANCE
    • / THEM
    • / LOHIVAIMO (Collab)
    • / CARROLL: BERSERKUR
    • / ÞRÍLEIKUR
  • WORKSHOPS
    • / PEDAGOGY
    • / THE PERFORMER AND THE SELF
    • / THE RED PILL
    • / DRAGKÓNGAR MEÐ MARÍU PÁLS
  • PATRONAGE
  • FEEDBACK
  • News
  • Contact
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INTIMACY

June 29, 2020

We were in the middle of our rehearsals at Dixon Place in lower Manhattan when we received a call we had lost our rehearsal space. I started calling more venues to see what alternative options might be open to us at a short notice, meanwhile texts kept coming in from collaborators. “Do you think there will actually be a show?” It was March 13th, and no. There wasn’t a show, as over the course of the next few days the city went into a lockdown.

Together the city has since faced incredible changes. Inspiring revolutions, a multitude of protective measures to defend one another, speaking up and taking action against cruelty and oppression. The art that took over the streets and our feeds: murals, grafiti, music, poetry, photography, breathed fire under these necessary changes. For weeks in quarantine arts had been a resource for comfort and distraction through familiarity, humour and beauty. Now it was a powerful, aimed device. To inform, educate and inspire through beauty and emotive imagery.

When we got back to working on our play for Reykjavík Fringe Festival we knew we were working within a very different context than few weeks ago. We had a different medium in this time of social distancing. What had been a highly physical production, with long movement sequences and intimate choreography serving half the storytelling, was now an intimate zoom call between a young couple. Instead of seeing two bodies entwined on stage, now we as an audience were looking directly at the actors as if we were the recipients of their call, their words of love, their frustrated shouts. The actors’ inability to touch or comfort one another felt painfully familiar.

“Theatre is meant to reflect the times we are in, and suddenly Zoom, Facetime and other virtual channels have become the reality of our communication.”

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It is the most intimate I have ever experienced theatre, and while we have limited time and resources to fully explore this new medium, I am very much hoping you join us at 3pm New York time, or join us 7pm Icelandic time at Hlemmur Square, on Monday July 6th, as we live stream our performance for Reykjavík Fringe Festival, followed by a Q&A with author Melissa-Kelly Franklin, director Sólveig Eva and assistant director Anne Windsland.

Press here for streaming link and information about the show.

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MAGAZINE

We wanted to share with you some of our thoughts, information about our research and artistic process, as well as more media from our productions.

FEATURED ARTICLES

Featured
Jan 17, 2016
Q&A WORKSHOP
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Jan 17, 2016
Jan 16, 2016
TRAINING FREE OF VALUE JUDGEMENT
Jan 16, 2016
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